年轻记者Ariel（阿尤·艾德维利 Ayo Edebiri 饰）受邀去已经神秘失踪30年、如今回归的传奇流行巨星Alfred Moretti（约翰·马尔科维奇 John Malkovich 饰）的家里，Moretti身边全都是阿谀奉承之辈，和得意忘形的记者们。她发现，自己陷入了这个巨星扭曲的计划里。

年轻记者Ariel（阿尤·艾德维利 Ayo Edebiri 饰）受邀去已经神秘失踪30年、如今回归的传奇流行巨星Alfred Moretti（约翰·马尔科维奇 John Malkovich 饰）的家里，Moretti身边全都是阿谀奉承之辈，和得意忘形的记者们。她发现，自己陷入了这个巨星扭曲的计划里。

年轻作家Ariel受邀去已经神秘失踪30年、如今回归的传奇流行巨星Moretti的家里，身边全都是阿谀奉承之辈，和得意忘形的记者们。她发现，自己陷入了这个巨星扭曲的计划里。

Kiarostami presents two cases for talking heads to evaluate in terms of morality, rights and responsibilities. Case One: Your son is in class, sitting in the back row. His teacher is writing on the board. A restless student in the back row makes a lot of noise. Not knowing who the culprit is, the teacher makes all the children sitting in the last two rows stay outside of the class until the weekend, unless they tell him who made the noise. After a few days spent outside of the classroom, your son relents and tattles on the boy who made the noise, so he can go back in and continue learning. Was he in the right? Case Two: The other students from the back row wait out the rest of the week outside of the class, before returning. Were they in the right?

Kiarostami presents two cases for talking heads to evaluate in terms of morality, rights and responsibilities. Case One: Your son is in class, sitting in the back row. His teacher is writing on the board. A restless student in the back row makes a lot of noise. Not knowing who the culprit is, the teacher makes all the children sitting in the last two rows stay outside of the class until the weekend, unless they tell him who made the noise. After a few days spent outside of the classroom, your son relents and tattles on the boy who made the noise, so he can go back in and continue learning. Was he in the right? Case Two: The other students from the back row wait out the rest of the week outside of the class, before returning. Were they in the right?

A disturbing and gruesome shockumentary film on the real life horrors committed by psychotic killers.

A disturbing and gruesome shockumentary film on the real life horrors committed by psychotic killers.

Close up we see pistons move up and down or side to side. Pendulums sway, the small parts of machinery move. Gears drive larger wheels. Gears within gears spin. Shafts turn some mechanism that is out of sight. Screws revolve and move other gears; a bit rotates. More subtle mechanisms move other mechanical parts for unknown purposes. Weights rise and fall. The movements, underscored by sound, are rhythmic. Circles, squares, rods, and teeth are in constant and sometimes asymmetrical motion. These human-made mechanical bits seem benign and reassuring.

Close up we see pistons move up and down or side to side. Pendulums sway, the small parts of machinery move. Gears drive larger wheels. Gears within gears spin. Shafts turn some mechanism that is out of sight. Screws revolve and move other gears; a bit rotates. More subtle mechanisms move other mechanical parts for unknown purposes. Weights rise and fall. The movements, underscored by sound, are rhythmic. Circles, squares, rods, and teeth are in constant and sometimes asymmetrical motion. These human-made mechanical bits seem benign and reassuring.

一个发生在像蓝宝石一样亮晶晶的夜晚，包含女孩、小鸟和太阳的故事。